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Ben Street My Heart's in the Highlands, catalogue essay for the show of this title at Mitchell-Innes & Nash, 2022.
   
Paul Carey-Kent Artist's Writing; Paul Winstanley. FAD Magazine, 11th September, 2019.
   
Ben Street 59 Paintings; In which the artist considers the process of thinking about and making work.Times Literary Supplement, September 27, 2018.
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Mary Catherine Nolan Paul Winstanley 'Faith After Saenredam and Other Paintings, Kerlin Gallery, Dublin, 20 May-01 July 2017, Artists News Sheet, August 2017
   
Aidan Dunne Minimalism in the Dutch Golden Age at the Kerlin, Irish Times, 23rd May 2017.
   
Nathan O'Donnell Art School 31, originally published in 'Response to a Request' 16th October 2016
   
Charlotte Mullins In Conversation; Charlotte Mullins and Paul Winstanley, April 21 2016, Alan Cristea Gallery, Video.
   
Matt Breen Paul Winstanley, Time Out, April 12, 2016
   
Hunter Drohojowska-Phelp Paul Winstanley, KCRW, Art Talk, May 22, 2014
   
Christopher Knight Paul Winstanley Conjures a Reflective Expressiveness at 1301PE, Los Angeles Times, May 24, 2014
   
Cristin Leach Hughes Paul Winstanley, Art School, The Sunday Times, Culture, 1st December 2013
   
Jens Astoff Paul Winstanley, Galerie Vera Munro, Artforum, artforum.com, Critics Picks, October 2013
   
Venetia Twigg London Art Award Nominee Paul Winstanley, Interview with Paul Winstanley, January 2012
   
Rebecca Fullylove Rise: Paul Winstanley, Interview with Paul Winstanley, Dazed Digital, December 2011
   
Barbara Pollack Paul Winstanley, Mitchell-Innes & Nash, Art News, October 2011
   
Joseph R Wollin Paul Winstanley, Time Out New York, October 2011
   
Jan Tumlir Paul Winstanley, 1301PE, Art Forum, December 2010
   
Helen Waters Everybody Thinks This Is Nowhere, Interview with Paul Winstanley, June 2010
   
Andrew Renton Deferred Lanscapes: A view from the threshold in the paintings of Paul Winstanley, Threshold, Published by Artspace, 2008
   
Catherine Kinley Paul Winstanley; Annexe, Tate pamphlet to accompany the Art Now 12, show 'Annexe', Tate Gallery 1997-98.