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PAUL
WINSTANLEY
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| Biography | |
| Date of birth | 15 June 1954 |
| Place of birth | Manchester |
| 1991-1992 |
Churchill College Cambridge / Kettle's Yard Artist in Residence |
| 1976-1978 | Slade School of Fine Art, Higher Degree in Fine Art |
| 1973-1976 | Cardiff College of Art, BA(hons) 1st Class |
| 1972-1973 | Lanchester Polytechnic, Coventry |
| Solo Exhibitions | |
| 2008 | Paul Winstanley Paintings 1989-2007, Artspace, Auckland, New Zealand. |
| Mitchel-Innes and Nash, New York. | |
| 2007 | Republic, 1301PE, Los Angeles . |
| 2006 | Vera Munro, Hamburg. |
| 2005 | Homeland, Kerlin Gallery, Dublin. |
| 1301PE, Los Angeles. | |
| 2004 | The New Art Centre, Roche Court, Salisbury. |
| Vera Munro, Hamburg. | |
| 2003 | Maureen Paley Interim Art, London. |
| 2002 | Kerlin Gallery, Dublin |
| 1301PE, Los Angeles. | |
| 2000 | Maureen Paley Interim Art, London |
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Galerie Andreas Binder, Munich. |
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| 1301PE, Los Angeles | |
| 1999 |
Galerie Nathalie Obadia, Paris |
| Maureen Paley Interim Art, London | |
| 1997/98 | Annexe, Art Now 12, Tate Gallery, London |
| 1997 | Galerie Andreas Binder, Munich |
| Galerie Nathalie Obadia, Paris | |
| C.R.G., New York | |
| 1996 | Maureen Paley Interim Art, London |
| 1995 | C.R.G., New York |
| Galerie Nathalie Obadia, Paris | |
| 1994 | Maureen Paley Interim Art, London |
| 1993 | Driven Landscapes, Camden Arts Centre, London |
| 1992/93 |
Paintings 1991-92, Kettle's Yard, Cambridge; Lancaster Gallery,Coventry; B.A.C., London; Plymouth Arts Centre, Plymouth. |
| 1991 | Woodlands Arts Centre, London |
| 1987 | Watermans Arts Centre, London |
| 1979 | Riverside Studios, London |
| Group Exhibitions | |
| 2008 | Inside Architecture, Museum of Contemporary Art, Los Angeles. |
| 8 Visions, One Dream, Today Art Museum, Bejing. | |
| 2007 | I Don't Do Nature, 1301PE, Los Angeles. |
| Radharc, Galway Arts Cetre, Galway. | |
| 2006 | Gallery Artists, Winter Show, Kerlin Gallery, Dublin. |
| Ghost, Irish Museum of Modern Art, Dublin | |
| Summer Show, Royal Academy, London. | |
| Gallery Artists, Summer Show, Kerlin Gallery, Dublin. | |
| Morandi's Legacy, Abbot Hall Art Gallery, Kendal; Estorick Collection, London. | |
| 2005 | Almost, Robert Miller Gallery, New York. |
| Flashback, Kunstverein, Freiburg, Germany. | |
| 2004 | John Morres 23 Exhibition of Contemporary Painting, Liverpool. |
| Munch Revisited, Museum am Ostwall, Dortmund. | |
| Blow Up, St Pauls Gallery , Birmingham. | |
| 2003 | Oeuvres Recentes, Galerie Nathalie Obadia, Paris. |
| 2002 | Watery, Domestic, The Renaissance Society, University of Chicago, Chicago. |
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Painting
and Illustration, Luckman
Gallery, California State University, Los Angeles. |
| Eight New Paintings. Barrie Cooke, Felin Egan, Mark Francis, Maureen Gallace, Callum Innes, Elizabeth Magill. Sean Scully, Paul Winstanley. Kerlin Gallery, Dublin. | |
| Painted, Printed and Produced in Great Britain, Grant Selwyn Fine Art, New York. | |
| Beyond Barbizon, Elias Fine Art, Allston, Massachusetts. | |
| Ten Years, Galerie Andreas Binder, Munich. | |
| Illumination, Marvelli Gallery, New York. | |
| Landscape, British Council International Touring Exhibition, Casa Andrade Muricy, Curitiba, Brazil. | |
2001 |
Melancholy, City Art Gallery, Southampton; Northern Gallery for Contemporary Art, Sunderland. |
| Telling Tales,: Narrative Impulses in Recent Art, Tate Gallery, Liverpool. | |
| Multiplication, British Council Touring Show to: Romania,Croatia, Turkey, Russia, Estonia, Poland. | |
| Landscape. British Council International Touring Exhibition, Centro Cultural del Conde Duque, Madrid and touring to Sofia Municipal Gallery of Art, Bulgaria, Museu de Arte Contemporanes de Niterio, Rio de Janerio and Museu de Arte de Sao Paulo. | |
| 2000 | The Wreck of Hope, Nunnery Gallery, London |
| Landscape, ACC Galerie, Weimar, Germany; House of Artists, Moscow, Russia; Peter and Paul Fortress, St Petersburg, Russia; Museum of Modern Art, Rome, Italy | |
| 1999 | Paysages d'artistes, Fondation d'Art Contemporain Guerlain, Les Mesnuls, France |
| Go Away: Artists and Travel, Royal College of Art, London | |
| Painting Pictures, Beaver College Art Gallery, Glenside, Philadelphia | |
|
I'm
a Virgin, The
Waiting Room, University of Wolverhampton |
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| 1998/99 | Postcards on Photography, Cambridge Darkroom Gallery, Cambridge; John Hansard Gallery, Southampton; Site Gallery, Sheffield; Camerawork, London; Stills Gallery, Edinburgh |
| 1998 | Still, Laurent Delaye Gallery, London |
| Made in London, Musea de Electricade, Lisbon | |
| 1997 | Interior, Maureen Paley Interim Art, London |
| Within These Walls, Kettle's Yard, Cambridge | |
| John Moores Liverpool Exhibition 20, Walker Art Gallery, Liverpool | |
| Longing, Galerie, Peter Kilchmann, Zurich | |
| 1996 | ACE, Arts Concil Collection, Hayward Gallery, London and national tour |
| Inner London, Delphina Gallery, London | |
| 1995 | Crossroads, Herbert Read Gallery, KIAD, Canterbury; Wolsey Gallery, Ipswich; Centre d'Art Contemporain, Bruxelles, Belgium; FRAC Basse Normandie, Caen, France |
| 1994 | On Painting, James Hockey Gallery, WSCAD, Farnham |
| Landescapes,Torino, Italy | |
| 1993 | John Moores Liverpool Exhibition 18, Walker Art Gallery, Liverpool |
| Strictly Painting, Cubitt Street Gallery, London | |
| Re-Present, Todd Gallery, London | |
| 1992 | Twelve Stars, Arts Council Gallery, Belfast; City Art Centre, Edinburgh; Barbican Centre, London |
| The Whitechapel Open, Whitechapel Art Gallery, London | |
| British Painters, Harris Museum, Preston | |
| 1991 | Three Painters: Nicholas May, Nicholas Rule, Paul Winstanley,Maureen Paley Interim Art, London |
| 1990 | Gallery Artists, Maureen Paley Interim Art |
| 1989 | Whitechapel Open, Whitechapel Gallery, London |
| John Moores Liverpool Exhibition 16, Walker Art Gallery, Liverpool | |
| 1988 | Two Painters, FPA, Carlton House Terrace, London |
| 1987 | Six Visiting Artists, The Gallery, Falmouth School of Art |
| 1986 | Printmaking Today, Barbican Centre, London and National Tour |
| 1981 | Group of Four, Stavelot, Belgium |
| Aspects of Drawing, House Gallery, London | |
| 1980 | Group of Four, City University Gallery, London |
| Holborn Station Re-Design Project, Whitechapel Gallery, London | |
| Bibliography | |
| 2008 | Paul Winstanley: Threshold. Essays by Andrew Renton and Christel Fricke, 100 Reproductions. Published by ARTSPACE and Clouds, Auckland, New Zealand. 148 page Book. |
| 2006 | Lambirth, Andre. Morandi's Legacy: Influences on British Art, The Spectator, 29 April. |
| Wolf, Jahn. Leer big in den letzen winkel, Hamburger Abendblatt, 31 March. | |
| Morandi's Legacy: Influences on British Art, Estorick Collection, 78 Page Catalogue. | |
| 2005 | Luke Clancy, Paul Winstanley:Homeland, Modern Painters, June, 2005. |
| Dunce, Aiden. Paul Winstanley, Homeland, Irish Times, 6 April. | |
| 2004 | Hubbard, Sue. Space Inveilers, The Independent, 29th October. |
| Asthoff, Jens. Paul Winstanley, Art Forum, artforum.com. Critics' Picks. | |
| BlowUp, Flash Art, March April 2004. | |
| 2003 | Feaver, William, Paul Winstanley, Art News, Dec 2003. |
| Fielding,Anne. Paul Winstanley, Time Out, no 1726, Sept 2003. | |
| Downey, Anthony. Utopia Remembered. Contemporary, no 51, 2003. | |
| 2002 | Downey, Anthony, Paul Winstanley, Contemporary, November 2002. |
| 2001 | Morley, Simon. To Infinity and Beyond, Art Review, February. |
| Buck, Louisa. Louisa Bucks choice of London contemporary Galleries, The Art Newspaper, No 110, January. | |
| 2000 | Sally O'Reilly, Paul Winstanley, Time Out, no 1587 Jan 17-24 |
| Duncan McLaren, Paul Winstanley, Independent on Sunday, December 10 | |
|
Paul Winstanley Archive: Complete Paintings 1989-2000, Maureen Paley Interim Art and 1301PE, (120 page Monograph) |
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| Landscape, The British Council, (80 page Catalogue) | |
| 1999 | Paysages d'artistes, Fondation d'art Contemporain Daniel and Florence Guerlain, (52 page Catalogue) |
| Lavrador, Judicael. Atmosphere, Le Journal des Expositions, no 68, November | |
| Dagen, Philippe. Un si beau monde, Le Monde, Dec 19 | |
| Reardon, Valerie. Postcards on photography, Art Monthly, no 223, February | |
| From A to B (And Back Again), Royal College of Art, (120 page Catalogue) | |
| 1998 | Postcards on Photography, Cambridge Darkroom Gallery, (144 page Catalogue). |
| Coomer, Martin. Still. Time Out, no 1464 Sept 9-16 | |
| Morley, Simon. The Friedrich Factor, Contemporary Visual Arts, Issue 19 | |
| de Ville, Nicholas. Ways of Seeing and the Pleasures of the Visual, Contemporary Visual Arts, Issue 18 | |
| Hoffman, Justin. Paul Winstanley, Galerie Andreas Binder. Artforum. February XXXXVI no6 | |
| Craddock, Sacha. Paul Winstanley, The Times, January 13 | |
| Herbert, Martin. Paul Winstanley, Tate Gallery, Time out, no 1429 January 7-14 | |
| 1997 | Feaver, William. The lights are on but there's no-one at home. Which is just as well, The Observer/Review December14 |
| Hubbard, Sue. Interior, Time out, no 1421 Nov 12- 19 | |
| Feaver, William. Moores scores, The Observer/Review, Novenber 9 | |
| John Moores Liverpool Exhibition 20, Walker Art Gallery, (Catalogue) | |
| Greenberg, Sarah. Within These Walls, Blueprint,September | |
| Filser, Hubert. Faszinierende Spiele miy Licht und Leise Tone, Suddeutsche Zeitung, no 210, September 12 | |
| Sachs, Brita. Die Macht der tausend Augen. Frankfurter Allgemeine Zeitung, September 20 | |
| Ingleby, Richard. Making an exhibition of yourself at 40,Independent on Sunday, August 10 | |
| Melvin, Jeremy. Diverse perceptions of interior space, Architects Journal, August 14-21 | |
| Tozer, John. Within these Walls, Kettle's Yard, Art Monthly, no209, September | |
| Cumming, Laura. Condiments of the Season, The Observer/Review, August 10 | |
| Within These Walls, Kettle's Yard, Cambridge (24 page Catalogue) | |
| 1996 | Made In London, Simmons and Simmons, ( 64 page Catalogue) |
| Coomer, Martin. Paul Winstanley, Time Out, no 1326 Jan 17-24 | |
| MacRitchie, Lynn. Corporate art goes avant-garde, Financial Times, June 22 | |
| Morrissey, Simon. The many faces of London. Building Design, April 5 | |
| 1995 | Cotter. Art in Review, New York Times, May 5 |
| Crossroads, Herbert Read Gallery, KIAD, Canterbury, ( 24 page Catalogue) | |
| 1994 | Durden, Mark. On Painting, Part 2: Peter Kinley and Paul Winstanley, Frieze, Issue 18, Set-Oct |
| Landescapes, Ex Lanificio Bona, (56 page Catalogue) | |
| Morley, Simon. Peter Kinley and Paul Winstanley,Art Monthly, no117, June | |
| Norman, Geraldine. The Contemporary Capital, The Independent on Sunday, March 6 | |
| Lillington, David. Waiting tables,Time Out, March 2-9 | |
| On Painting, James Hockey Gallery, Farnham, (18 page Catalogue) | |
| 1993 | Feaver, William, Plainly a new fancy, The Observer/Review, April18 |
| John Moores Liverpool Exhibition 18, Walker Art Gallery, (Catalogue) | |
| Kent, Sarah. Camden Arts Centre, Time Out, April 14 -21 | |
| Lillington, David. Strictly Painting, Time Out, March 10 - 17 | |
| Feaver, William. What goes around comes around, yet again, The Observer, Feb 28 | |
| Searle, Adrian. Paul Winstanley, Time Out, Feb 3 - 10 | |
| 1992 | Paul Winstanley. Paintings 1991-92, Kettle's Yard, Cambridge, ( 48 page Catalogue) |
| John Moores Liverpool Exhibition 16, Walker Art Gallery, (Catalogue) | |
| 1981 | Bucklow, Christopher, Aspects of drawing, Artscribe, no31 |
| Public Collections | |
| Arts Council of Great Britain | |
| Barclays Bank | |
| British Council | |
| European Parliament | |
| Churchill College, Cambidge University | |
| Colby Museum of Art, Maine, USA. | |
| Fondation Daniel and Florence Guerlin | |
| Fonds National d'art Contemporain (FNAC), Paris | |
| Irish Museum of Modern Art, Dublin | |
| Museum of Contemporary Art (MoCA), Los Angeles | |
| Musee d'art Contemporain, Sintra, Portugal | |
| New York City Public Library | |
| Simmons and Simmons | |
| Southampton City Art Gallery | |
| SACEM, Neuilly-Seine | |
| Tate Gallery | |
| Unilever | |
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Paul
Winstanley lives and works in London |
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