PAUL
WINSTANLEY |
|
| Biography | |
| Lives and works in London | |
| 1991-1992 | Fellow, Churchill College Cambridge / Kettle's Yard Artist in Residence |
| 1976-1978 | Slade School of Fine Art, Higher Degree in Fine Art |
| 1973-1976 | Cardiff College of Art, BA(hons) 1st Class |
| 1972-1973 | Lanchester Polytechnic, Coventry |
| June 1954 | Born, Manchester |
| Solo Exhibitions | |
| 2015 | Paul Winstanley, Art School, Mitchelll-Innes & Nash, New York. |
| 2014 | Art School, 1301PE, Los Angeles. |
| 2013 | Art School, Kerlin Gallery, Dublin. |
| Art School, Vera Munro, Hamburg. | |
| 2012 | Red T Shirt Grey, Pippy Houldsworth Gallery, London. |
| 2011 | Mitchell-Innes & Nash, New York. |
| 2010 | Everybody Thinks This Is Nowhere, Alan Cristea Gallery, London. |
| 1301PE, Los Angeles. | |
| 2009 | Vera Munro, Hamburg. |
| The Gun Emplacement, Kerlin Gallery, Dublin. | |
| 2008 | Threshold, Artspace, Auckland, New Zealand. |
| Mitchel-Innes & Nash, New York. | |
| 2007 | Republic, 1301PE, Los Angeles . |
| 2006 | Vera Munro, Hamburg. |
| 2005 | Homeland, Kerlin Gallery, Dublin. |
| 1301PE, Los Angeles. | |
| 2004 | The New Art Centre, Roche Court, Salisbury. |
| Vera Munro, Hamburg. | |
| 2003 | Maureen Paley Interim Art, London. |
| 2002 | Kerlin Gallery, Dublin |
| 1301PE, Los Angeles. | |
| 2000 | Maureen Paley Interim Art, London. |
| Galerie Andreas Binder, Munich. | |
| 1301PE, Los Angeles. | |
| 1999 | Galerie Nathalie Obadia, Paris. |
| Maureen Paley Interim Art, London. | |
| 1997/98 | Annexe, Art Now 12, Tate Gallery, London. |
| 1997 | Galerie Andreas Binder, Munich. |
| Galerie Nathalie Obadia, Paris. | |
| C.R.G., New York. | |
| 1996 | Maureen Paley Interim Art, London. |
| 1995 | C.R.G., New York. |
| Galerie Nathalie Obadia, Paris. | |
| 1994 | Maureen Paley Interim Art, London. |
| 1993 | Driven Landscapes, Camden Arts Centre, London. |
| 1992/93 | Paintings 1991-92, Kettle's Yard, Cambridge,Lancaster Gallery, Coventry, B.A.C., London, Plymouth Arts Centre, Plymouth. |
| 1991 | Woodlands Arts Centre, London. |
| 1987 | Watermans Arts Centre, London. |
| 1979 | Riverside Studios, London. |
|
|
| Group Exhibitions | |
| 2015 | Conversations, Irish Museum of Modern Art, Dublin |
| 2014 | The Unassuming Eye, Sobering Galerie, Paris |
| Summer Exhibition, Alan Cristea Gallery, London | |
| 2013 | Here We Go, Karsten Schubert Gallery, London |
| 13, Alan Cristea Gallery, London | |
| Art and Existence, Esbjerg Kunst Museum, Denmark | |
| Window to the World, Fondation del'Hermitage, Lausanne | |
| Lifelike, Museum of Contemporary Art, San Diego,The Blankton Museum of Art, Austin. | |
| Under the Greenwood; Picturing the British Tree, St Barbe Museum and Art Gallery, Lymington | |
| A Space for Contemplation, Galerie Andreas Binder, Munich. | |
| Summer Exhibition, Royal Academy, London. | |
| 2012 | Window to the World, Museo Cantonale d'arte and Museo d'arte, Lugano |
| Lifelike, Walker Art Center, Minneapolis, New Orleans Museum of Art | |
| The Deer, curated by Eric Troncy, Le Consortium, Dijon. | |
| There is a Place, The New Art Gallery, Walsall. | |
| 2011 | UK & EU Contemporary Artists, Galeria Pilar Serra, Madrid. |
| Barrie Cooke, David Godbold, Elizabeth Magill, Stephen McKenna, Paul Winstanley, Kerlin Gallery, Dublin. | |
| Summer Exhibition, Royal Academy, London | |
| Artists For Kettle's Yard, Kettle's Yard, Cambridge | |
| UNSCHARF. Nach Gerhard Richter; Kunsthalle, Hamburg. | |
| 2010 | Parallax: Paul Winstanley and Peter Rostovsky; Santa Barbara Contemporary Arts Forum. |
| Sea Feaver, From Turner to Today, Southampton City Art Gallery, Southampton. | |
| High Ideals and Crazy Dreams, Galerie Vera Munro, Hamburg. | |
| Eleven, Alan Cristea Gallery, London. | |
| Without From Within, Djanogly Art Gallery, Nottingham. | |
| 2009 | Terror and the Sublime: Art in an Age of Anxiety, Crawford Art Gallery, Cork. |
| Conflicting Tales; Subjectivity, Burger Collection, Berlin. | |
| Self as Selves, Irish Museum of Modern Art (IMMA), Dublin. | |
| Mind the Step, 1301PE, Los Angeles. | |
| 2008 | Inside Architecture, Museum of Contemporary Art, Los Angeles. |
| Editions and Acquisitions, 2008, Alan Cristea Gallery, London. | |
| Fifty Percent Solitude, Kerlin Gallery, Dublin. | |
| 8 Visions, One Dream, Today Art Museum, Bejing. | |
| 2007 | I Don't Do Nature, 1301PE, Los Angeles. |
| Radharc, Galway Arts Cetre, Galway. | |
| 2006 | Gallery Artists, Winter Show, Kerlin Gallery, Dublin. |
| Ghost, Irish Museum of Modern Art, Dublin | |
| Summer Exhibition, Royal Academy, London. | |
| Gallery Artists, Summer Show, Kerlin Gallery, Dublin. | |
| Shining; Galerie Andreas Binder, Munich | |
| Morandi's Legacy, Abbot Hall Art Gallery, Kendal; Estorick Collection, London. | |
| 2005 | Almost, Robert Miller Gallery, New York. |
| Flashback, Kunstverein, Freiburg, Germany. | |
| 2004 | John Morres 23 Exhibition of Contemporary Painting, Liverpool. |
| Munch Revisited, Museum am Ostwall, Dortmund. | |
| Blow Up, St Pauls Gallery , Birmingham. | |
| 2003 | Oeuvres Recentes, Galerie Nathalie Obadia, Paris. |
| 4ever Young; Sommer Contemporary Art, Tel Aviv. | |
| 2002 | Watery, Domestic, The Renaissance Society, University of Chicago, Chicago. |
Painting
and Illustration, Luckman
Gallery, California State University, Los Angeles. |
|
| Eight New Paintings. Barrie Cooke, Felin Egan, Mark Francis, Maureen Gallace, Callum Innes, Elizabeth Magill. Sean Scully, Paul Winstanley. Kerlin Gallery, Dublin. | |
| Painted, Printed and Produced in Great Britain, Grant Selwyn Fine Art, New York. | |
| Beyond Barbizon, Elias Fine Art, Allston, Massachusetts. | |
| Ten Years, Galerie Andreas Binder, Munich. | |
| Illumination, Marvelli Gallery, New York. | |
| Landscape, British Council International Touring Exhibition, Casa Andrade Muricy, Curitiba, Brazil. | |
2001 |
Melancholy, City Art Gallery, Southampton; Northern Gallery for Contemporary Art, Sunderland. |
| Telling Tales,: Narrative Impulses in Recent Art, Tate Gallery, Liverpool. | |
| Multiplication, British Council Touring Show to: Romania,Croatia, Turkey, Russia, Estonia, Poland. | |
| Landscape. British Council International Touring Exhibition, Centro Cultural del Conde Duque, Madrid and touring to Sofia Municipal Gallery of Art, Bulgaria, Museu de Arte Contemporanes de Niterio, Rio de Janerio and Museu de Arte de Sao Paulo. | |
| 2000 | The Wreck of Hope, Nunnery Gallery, London |
| Landscape, ACC Galerie, Weimar, Germany; House of Artists, Moscow, Russia; Peter and Paul Fortress, St Petersburg, Russia; Museum of Modern Art, Rome, Italy | |
| 1999 | Paysages d'artistes, Fondation d'Art Contemporain Guerlain, Les Mesnuls, France |
| Go Away: Artists and Travel, Royal College of Art, London | |
| Painting Pictures, Beaver College Art Gallery, Glenside, Philadelphia | |
I'm
a Virgin, The
Waiting Room, University of Wolverhampton |
|
| 1998/99 | Postcards on Photography, Cambridge Darkroom Gallery, Cambridge; John Hansard Gallery, Southampton; Site Gallery, Sheffield; Camerawork, London; Stills Gallery, Edinburgh |
| 1998 | Still, Laurent Delaye Gallery, London |
| Made in London, Musea de Electricade, Lisbon | |
| 1997 | Interior, Maureen Paley Interim Art, London |
| Within These Walls, Kettle's Yard, Cambridge | |
| John Moores Liverpool Exhibition 20, Walker Art Gallery, Liverpool | |
| Longing, Galerie, Peter Kilchmann, Zurich | |
| 1996 | ACE, Arts Concil Collection, Hayward Gallery, London and national tour |
| Inner London, Delphina Gallery, London | |
| 1995 | Crossroads, Herbert Read Gallery, KIAD, Canterbury; Wolsey Gallery, Ipswich; Centre d'Art Contemporain, Bruxelles, Belgium; FRAC Basse Normandie, Caen, France |
| 1994 | On Painting, James Hockey Gallery, WSCAD, Farnham |
| Landescapes,Torino, Italy | |
| 1993 | John Moores Liverpool Exhibition 18, Walker Art Gallery, Liverpool |
| Strictly Painting, Cubitt Street Gallery, London | |
| Re-Present, Todd Gallery, London | |
| 1992 | Twelve Stars, Arts Council Gallery, Belfast; City Art Centre, Edinburgh; Barbican Centre, London |
| The Whitechapel Open, Whitechapel Art Gallery, London | |
| British Painters, Harris Museum, Preston | |
| 1991 | Three Painters: Nicholas May, Nicholas Rule, Paul Winstanley,Maureen Paley Interim Art, London |
| 1990 | Gallery Artists, Maureen Paley Interim Art |
| 1989 | Whitechapel Open, Whitechapel Gallery, London |
| John Moores Liverpool Exhibition 16, Walker Art Gallery, Liverpool | |
| 1988 | Two Painters, FPA, Carlton House Terrace, London |
| 1987 | Six Visiting Artists, The Gallery, Falmouth School of Art |
| 1986 | Printmaking Today, Barbican Centre, London and National Tour |
| 1981 | Group of Four, Stavelot, Belgium |
| Aspects of Drawing, House Gallery, London | |
| 1980 | Group of Four, City University Gallery, London |
| Holborn Station Re-Design Project, Whitechapel Gallery, London | |
| Bibliography | |
| 2014 | Paul Winstanley; Selected Works, Thisispaper, August, 2014 |
| Paul Winstanley Congures a Reflective Expressiveness at 1301PE, Los Angeles Times, May 24, 2014 | |
| Paul Winstanley, KCRW, Art Talk, May 22, 2014 | |
| Paul Winstanley; Art School, Thisispaper, January 2014 | |
| 2013 | Paul Winstanley, Art School; Cristin Leach Hughes, The Sunday Times, 1st December 2013 |
| Paul Winstanley, Art School; Published by Ridinghouse, Essay by Jon Thompson, Interview with Maria Fusco, 288pp, 240 illustrations, Hardback Book. | |
| Paul Winstanley, Galerie Vera Munro; Jens Astoff, Artforum, Artforum.com, Critics Picks, October | |
| 2012 | Lifelike; Walker Art Center, 192 page Catalogue. |
| Paul Winstanley by Kirsten Everberg; Frog, numero 10. | |
| 2011 | Rise: Paul Winstanley; Rebecca Fulleylove, Dazed Digital, Dember 2011. |
| Paul Winstanley; Joseph R. Wolin, Time Out New York, Oct 4, 2011 | |
| Paul Winstanley, Mitchell-Innes & Nash; Barbara Pollack, ARTnews, October 2011. | |
| 2010 | Paul Winstanley 1301PE; Jan Tumlir, Artforum, Dec 2010, p 265-266 |
| Paul Winstanley: A beautiful Veil; L.A. Weekly, October 2010. | |
| Everybody Thinks This Is Nowhere, Alan Cristea Gallery; Interview between Paul Winstanley and Helen Waters, 40 page catalogue, | |
| Without From Within; Djanogly Art Gallery, Essay by Anne Goodchild, 64 page Catalogue. | |
| Paul Winstanley, Lux; Jens Astoff, Kunstforum, Jan-Feb. | |
| 2009 | Terror and the Sublime; Art in the Age of Anxiety; Crawford Art Gallery, Cork, Essays by Peter Murray and William Laffan, 128 page Catalogue. |
| Conflicting Tales: Subjectivity; Burger Collection, Edited by Daniel Kurjakovic, 228page Catalogue. | |
| 2008 | Paul Winstanley: Threshold; Essays by Andrew Renton and Christel Fricke, 100 Reproductions. Published by ARTSPACE and Clouds, Auckland, New Zealand. 148 page Book. |
| 2006 | Morandi's Legacy: Influences on British Art; Andre Lambirth, The Spectator, 29 April. |
| Leer big in den letzen winkel; Jahn Wolf, Hamburger Abendblatt, 31 March. | |
| Morandi's Legacy: Influences on British Art; Interview between Paul Coldwell and Paul Winstanley, Estorick Collection, 78 Page Catalogue. | |
| 2005 | Paul Winstanley, Homeland; Luke Clancy, Modern Painters, June, 2005. |
| Paul Winstanley, Homeland; Aiden Dunce, Irish Times, 6 April. | |
| 2004 | Space Inveilers; Sue Hubbard, The Independent, 29th October. |
| Paul Winstanley; Jens Astoff; Art Forum, artforum.com. Critics' Picks. | |
| BlowUp; Flash Art, March April 2004. | |
| 2003 | Paul Winstanley; William Feaver, Art News, Dec 2003. |
| Paul Winstanley; Anne Fielding, Time Out, no 1726, Sept 2003. | |
| Utopia Remembered; Anthony Downey, Contemporary, no 51, 2003. | |
| 2002 | Paul Winstanley; Anthony Downey, Contemporary, November 2002. |
| 2001 | To Infinity and Beyond; Simon Morely, Art Review, February. |
| 2000 | Paul Winstanley; Sally O Reilly, Time Out, no 1587 Jan 17-24 |
| Paul Winstanley; Duncan McLaren, Independent on Sunday, December 10 | |
Paul Winstanley Archive: Complete Paintings 1989-2000; Maureen Paley Interim Art and 1301PE, (120 page Monograph) |
|
| Landscape; The British Council, (80 page Catalogue) | |
| 1999 | Paysages d'artistes; Fondation d'art Contemporain Daniel and Florence Guerlain, (52 page Catalogue) |
| Atmosphere; Judicael Lavrador; Le Journal des Expositions, no 68, November | |
| Un si beau monde; Philippe Dagen Le Monde, Dec 19 | |
| Postcards on photography; Valerie Reardon, Art Monthly, no 223, February | |
| From A to B (And Back Again); Royal College of Art, (120 page Catalogue) | |
| 1998 | Postcards on Photography; Cambridge Darkroom Gallery, (144 page Catalogue). |
| Still; Martin CoomerTime Out, no 1464 Sept 9-16 | |
| The Friedrich Factor; Simon Morley, Contemporary Visual Arts, Issue 19 | |
| Ways of Seeing and the Pleasures of the Visual; Nicholas de Ville, Contemporary Visual Arts, Issue 18 | |
| Paul Winstanley, Galerie Andreas Binder; Justin Hoffman, Artforum. February XXXXVI no6 | |
| Paul Winstanley; Sacha Craddock, The Times, January 13 | |
| Paul Winstanley, Tate Gallery; Martin Herbert, Time out, no 1429 January 7-14 | |
| 1997 | The lights are on but there's no-one at home. Which is just as well; William Feaver, The Observer/Review December14 |
| Interior; Sue Hubbard, Time out, no 1421 Nov 12- 19 | |
| Moores scores; William Feaver, The Observer/Review, Novenber 9 | |
| John Moores Liverpool Exhibition 20, Walker Art Gallery, (Catalogue) | |
| Within These Walls; Sarah Greenberg, Blueprint,September | |
| Faszinierende Spiele miy Licht und Leise Tone; Hubert Filsner, Suddeutsche Zeitung, no 210, September 12 | |
| Die Macht der tausend Augen; Brita Sachs, Frankfurter Allgemeine Zeitung, September 20 | |
| Making an exhibition of yourself at 40; Richard Ingelby,Independent on Sunday, August 10 | |
| Diverse perceptions of interior space, Jeremy Melvin, Architects Journal, August 14-21 | |
| Within these Walls, Kettle's Yard, John Tozer, Art Monthly, no209, September | |
| Condiments of the Season; Laura Cumming, The Observer/Review, August 10 | |
| Within These Walls; Kettle's Yard, Cambridge (24 page Catalogue) | |
| 1996 | Made In London; Simmons & Simmons, ( 64 page Catalogue) |
| Paul Winstanley; Martin Coomer, Time Out, no 1326 Jan 17-24 | |
| Corporate art goes avant-garde; Lynne MacRichie, Financial Times, June 22 | |
| The many faces of London; Simon Morrissey, Building Design, April 5 | |
| 1995 | Art in Review; Cotter, New York Times, May 5 |
| Crossroads; Herbert Read Gallery, KIAD, Canterbury, ( 24 page Catalogue) | |
| 1994 | On Painting, Part 2: Peter Kinley and Paul Winstanley; Mark Durden, Frieze, Issue 18, Set-Oct |
| Landescapes, Ex Lanificio Bona, (56 page Catalogue) | |
| Peter Kinley and Paul Winstanley; Simon Morley, Art Monthly, no117, June | |
| The Contemporary Capital; Geraldine Norman, The Independent on Sunday, March 6 | |
| Waiting Tables; David Lillinton, Time Out, March 2-9 | |
| On Painting; James Hockey Gallery, Farnham, Essay by Andrew Wilson, (18 page Catalogue) | |
| 1993 | Plainly A New Fancy, William Feaver, The Observer/Review, April18 |
| John Moores Liverpool Exhibition 18, Walker Art Gallery, (Catalogue) | |
| Camden Arts Centre, Sarah Kent, Time Out, April 14 -21 | |
| Strictly Painting, David Lillington, Time Out, March 10 - 17 | |
| What Goes Around Comes Around; yet again, William Feaver, The Observer, Feb 28 | |
| Paul Winstanley; Adrian Searl, Time Out, Feb 3 - 10 | |
| 1992 | Paul Winstanley. Paintings 1991-92; Kettle's Yard, Cambridge, Essay by Brandon Taylor,( 48 page Catalogue) |
| John Moores Liverpool Exhibition 16; Walker Art Gallery, (Catalogue) | |
| 1981 | Aspects of drawing; Christopher Bucklow, Artscribe, no31 |
| Public Collections | |
| Arts Council of Great Britain | |
| Barclays Bank, London | |
| British Council | |
| British Museum, London | |
| Burger Collection, Berlin | |
| European Parliament | |
| Central Krankenversicherung, Cologne | |
| Churchill College, Cambidge University | |
| Colby Museum of Art, Maine, USA. | |
| Fondation Daniel and Florence Guerlin,Paris | |
| Fonds National d'art Contemporain (FNAC), Paris | |
| Government Art Collection, London | |
| Irish Museum of Modern Art, Dublin | |
| Museum of Contemporary Art (MoCA), Los Angeles | |
| Musee d'art Contemporain, Sintra, Portugal | |
| New York Public Library | |
| Red Mansion Foundation, London | |
| Simmons & Simmons | |
| Southampton City Art Gallery | |
| SACEM, Neuilly-Seine | |
| Tate | |
| Unilever, London | |
| WWK Allgemeine Versicherung AG, Munich | |